For Mazine's appearance at Bread & Butter, I translated the brand's graphic identity by Stahl-R and René Natzel into a spatial experience. Triangles, squares and circles became walls, platforms and floor graphics that visitors could move through. Repurposed gym equipment and locker room fixtures echoed the brand's athletic character, while a large anamorphic "YO!" appeared to stand upright from one precise viewpoint outside the booth.

"Rushour in Metropolis" reimagined Hotel Shanghai, a 600-capacity nightclub in Essen. A 30-metre photo tapestry of the Shanghai skyline, an inflatable Yuán symbol and WWII dazzle camouflage transformed the space into a conceptual interpretation of the city. Inspired by my experience of living and working in China, the design translated the speed, intensity and contradictions of Shanghai's rapid economic rise into an interior that matched the owner's vision, birthplace and Dj-name. The Hotel Shanghai closed its doors in January 2026. With Nathalie Dziobek-Bepler. Featuring work of Jan Siefke, V2A Vj and creative agency, Brosart sprayer.

For Embassy of Bricks and Locks' pop-up store in Munich, we transformed a former streetwear shop for a young, athletic audience. Instead of replacing the existing interior, we redefined it through the brand's two colours, sculptural display elements made from second-hand finds and athletic textiles such as mesh and basketball nets. With Nathalie Dziobeck-Bepler

Originally developed as my 2006 master's thesis, this project explored urban nomadism through research and hidden interventions in public space. Camouflaged within everyday urban elements, the interventions invite people to question the boundaries between public and private space and reveal new possibilities within spaces that already exist. The project later became an award-winning film and was further developed for an exhibition at Cologne's Rheinauhafen, where a new series of site-specific interventions was created.

"I Love Ruhrgebiet" maps the invisible characteristics of Germany's largest metropolitan area. Instead of roads and buildings, it visualizes hidden cultural patterns, from kiosks and football fans to pigeon populations and French fry consumption. The project invites people to see the Ruhrgebiet through a different lens and can be adapted across books, exhibitions, posters and digital media.

Sometimes dividing a room, even with a symbolic "wall," provides a sense of privacy in open spaces. We like to see and be seen, yet it feels good to have an area that offers both protection and connection. The screen separates areas, visibly, not agressilvy. The paravent measures 130 x 120 cm and is made from oack rods and a weldet metal frame. With Klaudia Lewandowski.